I've painted the converted casualty figure (see last post) but theres not enough natural light after work to photograph him. So in the meantime...
I’m planning to create at
least two units featuring commanders for my Burgundian Ordonnance army –
currently Duke Charles and Antony, the bastard of Burgundy (whose portrait by
Roger van de Weyden graces this blog). I wanted to do something a little different
with these mounted men at arms figures so they’re easily identifiable on the
table; such as additional flags and banners, heralds and having them all on
fully barded horses, to reflect their greater status and personal wealth.
To enhance the horse armour I
wanted to embellish them with some Burgundian devices that were used
extensively by Charles the Bold. I’d had this aspiration since first seeing the 3-up
greens of the Perry mounted men at arms figures at Salute 2011 and thinking that there must be this way to enhance the separate horse armour – specifically
the Italian style ones. Horse barding bearing Burgundian devices, such as St
Andrews cross and steel with flints, are clearly shown in the Swiss illustrated
chronicles of the wars – either embroidered onto fabric covering the horse
armour, possibly painted directly onto the steel, or embossed into the barding
by the armourer at the forge – the latter method exampled by the wonderful
‘Burgundian bard’ at the Tower Armouries (although it’s dated a little later
around 1511).
The solution has been found
and made for me by Oliver James of Steelfist Miniatures. Oliver has sculpted
two wonderfully detailed crosses with steel & flints (taken from surviving
Burgundian pavises and tapestries) from Procreate putty. From these he’s made
silicon moulds that allow me to reproduce them by pushing in athin layer of putty.
When it’s hardened these are then glued to the horse bard (once the moulded
rivets etc are smoothed away) and then blended in with more putty.
I’m extremely pleased with the
results – the detail on Oliver’s sculpting is truly phenomenal and exceeds my
expectations. I have no idea how he manages to sculpt such intricate pieces, as
he does on his recent Samurai commanders. So here is the ‘Burgundian bard’ horse
for my bastard of Burgundy – using the metal Edward IV figure – as he’s nicely
posed to lead his troops with a cry of “A St George!, A Burgoyne!”
I’ll post up the painted
version of him when done. However this will be a little while, as the figure needs an accoutrement that Oliver is currently sculpting for casting in metal.













