The Beauchamp Pageant is a
document from c1485 which includes a series of fine ink illustrations
depicting events in the life of Richard Beauchamp, earl of Warwick. These
include several military and jousting scenes, which provide detailed images of
contemporary arms and armour and are therefore a very valuable source. One of
the illustrations depicts a chevauchee following the failed siege of Calais in
1436. One of the mounted men at arms wears an interesting combination of
armour. His left arm is protected by plate, including a pauldron. However his
right arm has a mail sleeve over plate rather than a matching pauldron. There is another
figure in this picture, depicting a Burgundian, who appears to be similarly
attired. I’ve not yet found another contemporary illustration showing this
arrangement of only one pauldron – but I will continue my brief search to date.
Details from Beauchamp Pageant (The British Library)
I’ve never worn reproduction
armour, but I assume that there may be some pragmatic benefit from this, namely
that the right-arm has some degree of greater freedom of movement for wielding
a hand weapon; both of the figures illustrated fight from horseback with
swords. As the Pageant is regarded as an accurate portrayal of dress for the
period, I thought I’d attempt to depict this figure to add to my Burgundian men
at arms – using some of the options created by the Perry plastics – with his
primary weapon of a lance.
I’ve taken an arm holding a
pike from the Mercenaries box, with mail sleeve over plate, and built up around
the lance grip using green stuff. This has been temporarily attached to the
figure for the photo – I’m going to do more work on the helm later or use an open-faced sallet with a plume. It does look a slightly odd figure, but I’ll also
use other arms parts to create a sword-armed version and see how that goes too.
Meantime I’ve also prepared a few horses
to start painting whilst on the family's annual holiday in France. I’ve had
little success trying to paint 'al fresco' whilst away in previous years, where the light is often
too bright and the warmer weather (..here’s hoping!) dries the acrylics too
quickly. So this year it’s horseflesh and I’ve fiddled around with green stuff
on the tack on a few Perry horses – who’ll have coustillers added at some future
date – to create variety. The rest of the dozen horses have been assembled pretty much out
of the box – with the obligatory filling of the joint across their backs.