These Burgundian men at arms have been lingering around in a semi-completed state for far too long, so I decided to finish them off.
Previous postings on the blog, some months back now, contain info re the casualty figure and the horse tack variations. There were five men at arms still to be done and I also decided to change the flagbearer for a metal Perrys scurror, instead of the plastic one I'd already finished (who'll be relegated to be a second rank coustiller).
Part of the reason they'd been left unfinished was that I wanted to add plumes to the majority of the men at arms that I still need to do. Charles the Bold's ordinances decreed that all men at arms should be attired with blue and white plumes on their sallets and on the horses head. Not all contemporary illustrations show them wearing plumes, but they add to the visual appeal and give them a degree of 'uniformity'. I have some old castings of plumes that I've been using up for several years now, but I commissioned Oliver at Steel Fist Miniatures to design some more for me, along with orb plume holders. I'm currently using a few that were cast for me and we're currently sorting out a production mould so that I'll have plenty of them to use. Where the horses are barded and wear a chamfron, I'll add plumes on too - perhaps replacing some of those on the Perry plastics for more variety. I think that the plumes do enhance these figures really well.
A flag for the Ordonnance Company will be added later; I've not decided which one to portray yet, but somehow medieval figures never look fully complete without their flags and pennons. These bases will also be supported by a rank of coustillers. As Michael Perry has announced that Perry Miniatures will be making a box of plastic 'light cavalry' (with a sample 3-Up green currently on their website following Salute show) these will be ideal figures to form the bulk of the coustillers. This means of course, a delay before I can get going on them - so more men at arms will have to be prioritised. I hope the wait for plastic 'light cavalry' won't be too protracted...
Sunday, 19 May 2013
Monday, 6 May 2013
Charles the Bold, Duke of Burgundy
The completed figure of Charles the Bold, the command figure for my Burgundian Ordonnance army.
He wears a fully gilded harness in the 'german' style and carries a baton bearing a fleur-de-lys - see the previous posting for the conversion work that Oliver of Steel Fist Miniatures has done on this figure. His horse bears the arms of Burgundy, which took some time to paint panel by panel.
I chose to paint the chain mail as steel, although examples of gilded mail do exist. This was partly based on The Last Judgement painting by Petrus Christus, which portrays gilded plate harness with steel mail, and as it creates some visual contrast. I'm happier with the tones for the gilded armour than those I'd previously been using - the base colour is Vallejo Air Colour Bright Brass. I've then washed over a thin mix of GW black and brown washes. The Bright Brass was then painted over as a highlight, with a final highlight - used sparingly to just pick out the highest points on the armour - of Vallejo Model Colour Gold.
I've added a mace to be carried from the saddle. Having initially thought that it would be slung from the wrist strap on the saddle, but logically that would hit into the horse's flanks when moving at any speed. I then realised how few contemporary illustrations I could find on the web and in books of maces and axes being carried as the secondary weapon to a lance, prior to use, even when stretching my search to the early 16th century. I found this one interesting one below (and another late 15th century Flemish painting I couldn't copy) which show a mace attached at it's head by a metal ring to the saddle. This appears to be a practical solution (even if rarely shown), so I've sought to replicate this. I'd be interested if anyone has any more info on this topic?
He wears a fully gilded harness in the 'german' style and carries a baton bearing a fleur-de-lys - see the previous posting for the conversion work that Oliver of Steel Fist Miniatures has done on this figure. His horse bears the arms of Burgundy, which took some time to paint panel by panel.
I chose to paint the chain mail as steel, although examples of gilded mail do exist. This was partly based on The Last Judgement painting by Petrus Christus, which portrays gilded plate harness with steel mail, and as it creates some visual contrast. I'm happier with the tones for the gilded armour than those I'd previously been using - the base colour is Vallejo Air Colour Bright Brass. I've then washed over a thin mix of GW black and brown washes. The Bright Brass was then painted over as a highlight, with a final highlight - used sparingly to just pick out the highest points on the armour - of Vallejo Model Colour Gold.
I've added a mace to be carried from the saddle. Having initially thought that it would be slung from the wrist strap on the saddle, but logically that would hit into the horse's flanks when moving at any speed. I then realised how few contemporary illustrations I could find on the web and in books of maces and axes being carried as the secondary weapon to a lance, prior to use, even when stretching my search to the early 16th century. I found this one interesting one below (and another late 15th century Flemish painting I couldn't copy) which show a mace attached at it's head by a metal ring to the saddle. This appears to be a practical solution (even if rarely shown), so I've sought to replicate this. I'd be interested if anyone has any more info on this topic?
The figure of the duke will be part of a command base for a unit of mounted men at arms, representing household retainers. I've also completed a herald to accompany him. This is a Perry Minis Wars of the Roses range metal figure and horse. The only changes have been the addition of a feather on his hat and the tops of turned down riding boots, rather than the hose he's wearing. I went for some contrasting (and simpler!) Burgundian devices on his tabard.
A mounted standard bearer and a retainer on foot holding the duke's lance in readiness, are planned to complete this base.
Sunday, 28 April 2013
Charles the Bold - WIP
After the very enjoyable distractions of the Cravant game at Salute, I'm now turning my focus and bulk of my time to continuing with the Burgundian Ordonnance army (along with the Swiss Confederation). There is plenty to do; somethings already started (men at arms, coustillers, handgunners) need to be completed and new plans are being formed - either in my head or jotted down on bits of paper somewhere.
To get back the momentum, here's work in progress on a Charles the Bold commander figure. I wanted something special and if possible unique to represent the duke himself. This wonderful figure has been created for me by Oliver of Steel Fist Miniatures, a couple of months ago. The model is a conversion of a Perrys plastic man at arms in 'german armour' - with addition of a new kettlehat, bevor, Order of the Golden Fleece chain and arm holding an ornate baton decorated with a fleur-de-lys. Oliver's done a fantastic job of converting my outline requirements into a great looking figure, in a typical commander pose. Will add a mace or axe hanging from the saddle I think.
The horse is a conversion of mine, as I wanted to have Charles riding a mount with cloth caparison bearing the arms of Burgundy. I've used a plastic horse with the barding added on. The cloth covering over the bard has been made by a trial and error process of cutting, adjusting and finally glueing on four thin aluminium sheets - on both sides, front and back. These have been covered with a fine layer of ProCreate putty; with any gaps filled with some GW Liquid Green Stuff - hence the current two-tone appearance (it needs a smoothing down with some fine sanding sticks before undercoating). I think it's just about convincing enough - I need to keep the surface relatively flat to assist with painting the heraldry on each area.
Plan is to paint the duke's harness as a gilded finish, as well as the horse bard where it can be seen. Not yet sure what combination of paints I'm going to use to achieve a nice gilded armour finish. Hopefully I'll end up with a figure that'll stand out on the wargames table and should produce an appealing contrast with the duke's harness and the Burgundian arms on the horse caparison. The figure will be a little different from the well-known Schilling Berne Chronicle illustration (below), which shows barding with painted or embroidered decoration, but I'm saving that treatment for other figures.
To get back the momentum, here's work in progress on a Charles the Bold commander figure. I wanted something special and if possible unique to represent the duke himself. This wonderful figure has been created for me by Oliver of Steel Fist Miniatures, a couple of months ago. The model is a conversion of a Perrys plastic man at arms in 'german armour' - with addition of a new kettlehat, bevor, Order of the Golden Fleece chain and arm holding an ornate baton decorated with a fleur-de-lys. Oliver's done a fantastic job of converting my outline requirements into a great looking figure, in a typical commander pose. Will add a mace or axe hanging from the saddle I think.
The horse is a conversion of mine, as I wanted to have Charles riding a mount with cloth caparison bearing the arms of Burgundy. I've used a plastic horse with the barding added on. The cloth covering over the bard has been made by a trial and error process of cutting, adjusting and finally glueing on four thin aluminium sheets - on both sides, front and back. These have been covered with a fine layer of ProCreate putty; with any gaps filled with some GW Liquid Green Stuff - hence the current two-tone appearance (it needs a smoothing down with some fine sanding sticks before undercoating). I think it's just about convincing enough - I need to keep the surface relatively flat to assist with painting the heraldry on each area.
Plan is to paint the duke's harness as a gilded finish, as well as the horse bard where it can be seen. Not yet sure what combination of paints I'm going to use to achieve a nice gilded armour finish. Hopefully I'll end up with a figure that'll stand out on the wargames table and should produce an appealing contrast with the duke's harness and the Burgundian arms on the horse caparison. The figure will be a little different from the well-known Schilling Berne Chronicle illustration (below), which shows barding with painted or embroidered decoration, but I'm saving that treatment for other figures.
Friday, 22 February 2013
Mounted Crossbowmen - some observations
In planning my Burgundian Coustillers, I recently made a
close inspection of a woodcut illustration of mounted soldiers
made by the ‘Master WA’. It is one of a series of images understood to show Burgundian
soldiers of around 1475; the one most widely reproduced
being a row of longbowmen protected by stakes and supported by a rear rank of halberdiers.
The images of mounted troops shows men in half armour and helms carrying lances
or long spears riding unbarded horses, supported by two further ranks of
crossbow-armed horsemen – detail from one is shown above.
I’d not expected the rear ranks to be crossbowmen and had
always assumed that all were spear armed coustillers. Coupled with this, other
recent contemporary illustrations from the later fifteenth century I’ve looked
at, also appears to show mounted crossbowmen fighting closely alongside
lance-armed men at arms. This has got me thinking about what was the tactical use
of mounted crossbows in the later medieval period?
Now the rest of this post comes with a major health warning.
All of the following initial thoughts are based solely on observations of
selected medieval illustrations. I have had no access to any primary documents regarding the tactical use of mounted crossbows – although at present
I’m not aware that there may be any. It is of course very dangerous to make
sweeping assumptions based merely on surviving illustrations. Most medieval
artists were unlikely to have had any first-hand experience of warfare –
although there are notable exceptions in Diebold Schilling (d 1485) and Urs
Graf (d 1528). I’m fully aware of illuminations, such as Froissart’s Chronicles,
which show longbows being loosened from horseback in battle which seems an
unlikely practice, so using imagery on
which to base conclusions is fraught with danger.
However, some reading of secondary materials that I have on
fifteenth century warfare does seem both inconclusive and slightly vague on
what the battlefield role of mounted crossbowmen was. Numbers of troops classed
as 'mounted crossbowmen’ seem to be relatively high as the fifteenth century progressed, particularly in Italy and
France (as part of the 'lance'). How they acted in combat is unclear - although it seems they were primarily mobile
infanty, such as mounted English longbowmen appear to have been. Nicole in Osprey's 'European Medieval Tactics 2' suggests that the large numbers noted in Italy were largely foot troops, operating in conjunction with pavisers on the battlefield -with a skirmishing role, screening other troops who were
vulnerable to missle fire. Mallet in 'Mercenaries and Masters' notes that crossbowmen were mounted only for campaigning and formed separate dismounted units on the battlefield. It
appears that the preference was to employ Stradiots from the Balkans for the role of skirmishing in an engagement, rather than mounted crossbowmen.
So as mounted crossbowmen are available to select in almost all
wargame rule army lists for later medieval armies in western Europe (English
ones excepted), usually classed as ‘Light Cavalry’ and in a skirmishing role - do we have an apparent disconnect with actual practice.
Could crossbowmen have fought effectively from horseback? My view is most
probably they could. Crossbows were widely used for hunting on horseback and are shown
as such in illustrations throughout the medieval period; however on the battlefield loading the bow
swiftly, whilst remaining on the horse was essential. Following the
widespread introduction of the cranequin from circa 1460, this scenario appears
to have been more realistic.
This device allowed a rider to remain in the saddle and use handheld winding device to pull the string against the firing nut (often at a high tension) without having to use a stirrup to brace the bow. Several illustrations show crossbowmen on horse both with cranequins and firing crossbows. An intriguing illustration from Germany of circa 1465 shows a possible tactic, mimicking the ancient ‘Parthian shot’, of shooting behind the rider. How accurate this type of shot would be is debatable however.
This device allowed a rider to remain in the saddle and use handheld winding device to pull the string against the firing nut (often at a high tension) without having to use a stirrup to brace the bow. Several illustrations show crossbowmen on horse both with cranequins and firing crossbows. An intriguing illustration from Germany of circa 1465 shows a possible tactic, mimicking the ancient ‘Parthian shot’, of shooting behind the rider. How accurate this type of shot would be is debatable however.
Hans Talhoffer illustrations c 1467
So what of other illustrations? Are there any which appear
to complement the Master WA drawing of a combined lance and crossbow mounted
contingent, rather than as the mounted skirmishers of wargame army lists? Closer investigation of Schilling’s illustrations for the Bernese Chronicles is interesting and consistently shows several battle scenes where
plate armoured men at arms and plate armoured crossbowmen are fighting
alongside each other. In some a potential coustiller-type, armed with tasselled spear and brigandine, is even shown in a supporting role (see middle image below). Were these images drawn to
reflect what Schilling had observed firsthand in the Bernese wars? Was the
inclusion of heavily armoured crossbowmen within groups of men at arms a common
sight? Is this how the French-originated 'lance' performed on the battlefield - as an integrated unit of all the mounted arms, rather than each type (man at arms, coustiller and crossbowman) being split up and fighting together dictated by the weapon they carried? Certainly there's a logic to maintaining cohesion on the field by retaining the 'lance's' composition and duties of service and support to the man arms in the fighting.
Berne Spiezer chronicle c 1485
Berne chronicle (volume 3) c 1480
In the woodcut of the battle of Dornach in 1499 there is more apparent evidence of crossbows supporting closely a cavalry charge made by Swiss against Imperialist forces.
Battle of Dornach. detail of woodcut, 1499 (British Library)
Also the 'Housebook Master' shows mounted troops both on the march and practising arms as an apparent combined group of lance and crossbow armed soldiers.
Tactically could such a fighting combination of lance and crossbow have worked? The main effectiveness of a lance is its initial impact and the impetus of a frontal assault by armoured men riding horses at a canter or gallop. In such an attack crossbowmen may not have been involved; it maybe doubtful if they could shoot from a second rank before contact was made. However should men at arms be involved in a follow-up melee, the inclusion of crossbowmen, shooting a relatively close range with armour-piercing bolts, may have been effective. It’s tempting to imagine from such illustrations, the use of mounted crossbowmen as almost a precursor to 16th century caricole tactics with pistols, although having a reduced impact by being dispersed among men at arms rather than employed en masse. Their use at such close quarters would also require the amount of full plate and armour in which Schilling consistently shows them.
Master of the Housebook (detail) c1475
Tactically could such a fighting combination of lance and crossbow have worked? The main effectiveness of a lance is its initial impact and the impetus of a frontal assault by armoured men riding horses at a canter or gallop. In such an attack crossbowmen may not have been involved; it maybe doubtful if they could shoot from a second rank before contact was made. However should men at arms be involved in a follow-up melee, the inclusion of crossbowmen, shooting a relatively close range with armour-piercing bolts, may have been effective. It’s tempting to imagine from such illustrations, the use of mounted crossbowmen as almost a precursor to 16th century caricole tactics with pistols, although having a reduced impact by being dispersed among men at arms rather than employed en masse. Their use at such close quarters would also require the amount of full plate and armour in which Schilling consistently shows them.
What do these idle and incomplete thoughts mean for my
wargames army? Well, I’m going to mix some crossbows in with my Burgundian
coustillers, who’ll support the men at arms as a secondary row of mounted
troops. It gives me a good excuse for varying the figures in the unit and
painting some of the Perry Italian castings. I’ll also have some reference points to defend
myself when someone inevitably challenges me!
How I’ll deal with them in any rules may well be the subject
of another posting….
Sunday, 3 February 2013
Wheeling the gun!
The completed base, representing an Burgundian Ordonnance artillery piece being rapidly realigned to try and fire on advancing Swiss, who have suddenly appeared advancing at speed from a different direction than anticipated. Grandson or Morat perhaps?
The figure composition was as outlined in a previous post. The master gunner shouting orders at his crew has been completed with a Perry Minis open visored sallet from the mounted Men at Arms box. This has a plume attached - which is one of four that Oliver James of Steel Fist Miniatures has sculpted for me. The detail of the sculpting is really great and I plan to get these cast up soon, so that I can add more plume variations to helms and chamfrons on my Burgundians. I smoothed away some of the moulded breastplate to have him wearing just a plackart with his doublet. Artillery equipment on the base is a mix from Front Rank and The Assault Group.
I should now focus my time on my HYW at Harness and Array - some postings are imminent.
Sunday, 20 January 2013
Works of Progress (II)
Just a quick posting, as the snow here today has allowed some time to be spent at the painting table as it's been too cold to work in the garage on my Cravant terrain boards. I seem to have got back into the groove for painting (rather than just chopping and assembling figures).
Here's the Burgundian artillery group from the last post at the next stage - all figures, gun and related bits have been painted. All that can be is now glued to the base, ready for sculpting the groundwork. The headless master gunner remains well... erm... headless. I'm awaiting some items that I've commissioned for my late medieval figures to get his helmet done and so he'll now be the last piece to do before completion. Happy with how they've all come together; working frantically as a team to re-sight the (already loaded breech) gun.
Also, as they have been on the table, here's some Burgundian Coustillers I've assembled and slightly modified. I now plan to add a second row to all my Burgundian men at arms. These will give the units a bit more visual and actual substance. As a result they'll maybe a few less men at arms units in the completed army, but we'll see. The Coustillers will comprise of lesser armed figures, with mix of lances and spears, plus I'll have more of them carrying flags and pennons, which always looks good.
Sorry for the poor quality pics. Three of them are Perry metal 'Scurrors' with plastic heads attached for some variety. Top right is a herald model, the one holding the sword, with hands removed and to be replaced with a flag at some point - I have several of these castings and I like the option of having some Coustillers wearing coats over their armour. Last figure is a plastic man at arms with putty/green stuff riding boots added and Italian head (...very nice sculpts and a useful pack).
Cheers for now.
Here's the Burgundian artillery group from the last post at the next stage - all figures, gun and related bits have been painted. All that can be is now glued to the base, ready for sculpting the groundwork. The headless master gunner remains well... erm... headless. I'm awaiting some items that I've commissioned for my late medieval figures to get his helmet done and so he'll now be the last piece to do before completion. Happy with how they've all come together; working frantically as a team to re-sight the (already loaded breech) gun.
Also, as they have been on the table, here's some Burgundian Coustillers I've assembled and slightly modified. I now plan to add a second row to all my Burgundian men at arms. These will give the units a bit more visual and actual substance. As a result they'll maybe a few less men at arms units in the completed army, but we'll see. The Coustillers will comprise of lesser armed figures, with mix of lances and spears, plus I'll have more of them carrying flags and pennons, which always looks good.
Sorry for the poor quality pics. Three of them are Perry metal 'Scurrors' with plastic heads attached for some variety. Top right is a herald model, the one holding the sword, with hands removed and to be replaced with a flag at some point - I have several of these castings and I like the option of having some Coustillers wearing coats over their armour. Last figure is a plastic man at arms with putty/green stuff riding boots added and Italian head (...very nice sculpts and a useful pack).
Cheers for now.
Saturday, 12 January 2013
Works of Progress (I)
Many thanks to all who voted in the poll. I was pleased with
how the Lord Chalons group worked out so it’s nice to see them as the winner,
although it was ‘Cyril’ the Bernese bear who made the initial
running with the votes. I’m astonished that over a hundred votes were cast;
beforehand I was contemplating that I would get about 25 in all.
At present I'm flitting
about rather unproductively - starting several things but not getting any of
them near to completion. So it looks like a number of work in progress posts
will be forthcoming. I have to complete my mounted men at arms and have started some Ordonnance coustillers and more
handgunners; making minor conversions which the plastics allow you to have a go
at, coupled my limited putty-pushing skills. In addition I’m making my first
terrain tiles for the critical river sections for a Cravant 1423 game at this
year’s Salute using my HYW figures. My natural inability to cut straight edges has
slowed this down - as all the related filling and gluing is taking an age to
dry out in my garage in the damp winter weather!
This is another base that’s at a WIP stage. It owes it’s
existence entirely to ‘Admiral Benbow’ on the excellent LAF Forum, from whom I
have shamelessly plundered his great idea of converting Perry plastic figures
to create a Burgundian crapaudeux being manhandled into position by it’s crew. The Admiral
(Michael) used all plastic figures, but I’ve mixed in a couple of Perry metals
who seemed to have useful poses. All the figures have had some work on them to
change arms and/or hands, carefully removed with a scalpel from the Mercenaries
and Bills & Bows sprues. The gun is a Perry metal. The master gunner holds
a lindstock created from a trimmed-down halberd with thin wire added as the
fuse. His arm needs some work to hide the new joint and I’m unsure if this will be the head that I end up using.
Hopefully the end result will represent a moment that is
likely to have occurred at both the battles of Grandson and Morat, when the
rapid advance of the Swiss Confederation created surprise among the
Burgundians. This must have created a need to urgently realign and discharge
the field guns onto the advancing Swiss.
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