So the plan is for all of the unarmoured horses here to have riders done and for them to be based into the next Ordonnance company of men at arms. All of these have had some conversion work done on them - as seen in previous posts and inspired by /lifted from guys on the the Lead Adventurers Forum who are doing great things with the Perry plastics. Most of them are front and rear halves cut and rejoined to produce new positions - plenty of filling and smoothing of gaps. I've also removed the moulded tack that crosses the horses rump, as I find this fiddly to paint convincingly.
I've also painted the first barded horse with the Burgundian devices added, as fully gilded armour. This would have been very expensive work to have had done and so such horse armour will be reserved for the Burgundian duke and close relatives only. I'm unsure on these gold tones. I've used Vallejo Old Gold, washed with GW black and brown, then highlighted with GW Shining Gold - largely as these are the golds that I have to hand. The pictures are all a little dark, but I'm not sure this is the gilded finish I want - I should research a better mix of tones. I also need to smooth the joints of the putty much better than I have done when I attach the moulded cross and flints devices, although they looked OK at the time, painting shows up too many imperfections. It's all a process of trial and error.
Spiffy. I'm going to have to take a look at LAF.
ReplyDeleteSome very convincing poses there Simon. Ditto on the horseflesh notion; i've really got to be in the mood to do them, no idea why but I rank them one above basing, but good you've got them out of the way and can concentrate your attentions on the riders.
ReplyDeleteThe leather triad works well too. I sometimes but the base layer on, wash with dark brown then re-apply thus making it a four tone but it seems to help establish a bit of depth.
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